Category: Writings
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Review: “Derek Jarman’s retrospective ‘Protest!’ at IMMA, Dublin”, Mousse
I wrote a review for Mousse about Derek Jarman’s retrospective “Protest!” at IMMA – Irish Museum of Modern Art, Dublin. You can read it here. The exhibition runs until 23 February 2020, and will travel to Manchester Art Gallery in April 2020. Pic: Derek Jarman, Landscape with a Blue Pool, 1967, Arts Council Collection
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Reading for the closing event of “Housewarming”, 3236RLS
I read my essay “Baby it’s cold inside” for the closing event of ‘Housewarming’, an exhibition and collaboration between Asta Meldal Lynge, Matilda Tjäder, Nikhil Vettukattil at 3236RLS. My reading happened alongside great contributions by other members of London-based Speculative Fiction Writing Group such as Anna Mikkola, Chloée Maugile, Dæmon, Louis Mason, Felix Riemann, Lorde […]
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Essay for Anna Mikkola’s video Ghost in the Climate (2019)
I wrote a text in response to Anna Mikkola’s new video work Ghost in the Climate (2019) presented at Knipsu, Bergen. Anna’s video is on view until January 26, 2020.
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Conversation: “On Reframing the Frame: Imran Perretta”, Mousse
I sat down with Imran Perretta to talk about his latest work, the destructors (2019). You can read about it on Mousse. Imran Perretta’s the destructors is currently on view at Spike Island, and it will open at Chisenhale on January 16, 2020. It tours to the Whitworth, University of Manchester, and BALTIC Centre for […]
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Text for Gaia Fugazza’s “Mirage, Déjà Vue, Then a parallel life”, 2019
I wrote a text to accompany Gaia Fugazza’s audio piece “Mirage, Déjà Vue, Then a parallel life”, with music by Nik Void, produced by Gallleriapiù, Bologna. You can read it below: Pic: Gaia Fugazza, Non chiedermi perché, 2019. Courtesy of the artist
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Review: “On Monstering: ‘My Head Is a Haunted House’ at Sadie Coles HQ and ‘Dracula’s Wedding’ at Rodeo, London—Curated by Charlie Fox”, Mousse
I wrote a review for Mousse about two wonderful shows “My Head Is a Haunted House” at Sadie Coles HQ and “Dracula’s Wedding” at Rodeo, London, curated by Charlie Fox. You can read it here. Pic: “My Head is a Haunted House” at Sadie Coles HQ, London, 2019 © The artists. Courtesy: Sadie Coles HQ, […]
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Text: “Margherita Raso”, Flash Art Italia 343 / March – April 2019
I wrote about Margherita Raso’s practice for Flash Art Italia 343 / March – April 2019. Expect thoughts on generative images, the ontological liminality of jacquard textiles, Charles Babbage, Joseph-Marie Jacquard, and Ada Lovelace via Sadie Plant, but also on the simultaneity of cause-effect and Anni Albers’ tactile sensibility, etc. PDF is here. Pic: Margherita […]
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Review: “Curva Blu 2018 / Favignana”, Flash Art Italia
I wrote a review for Flash Art Italia of Curva Blu 2018, the latest edition of the residency programme in Favignana curated by Attilia Fattori Franchini and Marianna Vecellio, with words by Giulia Cenci, Diego Marcon, Lydia Ourahmane, and Megan Rooney. You can read it here. Pic: Diego Marcon, Curva Blu Open studio, Favignana, 2018. […]
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Text for Beatriz Olabarrieta’s solo show at Museum of Contemporary Art, Santa Barbara (CA)
I wrote a text to accompany Beatriz Olabarrieta‘s solo show “Ask the Dust” at the Museum of Contemporary Art, Santa Barbara (CA), running until February 3, 2019. The text is titled “Migrating between surfaces, an avalanche!” and you can read it below:
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Review: “‘Iperoggetti: Filosofia ed ecologia dopo la fine del mondo’ di Timothy Morton”, Flash Art Italia
I wrote a review for Flash Art Italia of the Italian edition of Timothy Morton’s book Hyperobjects, published by NERO. You can read it in Flash Art Italia 340 Luglio – Settembre 2018 or below.
Biancǝ Stoppani 
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