I’ve contributed to PANDO, a curatorial collective investigating proxy politics as an artistic counter strategy. Within a five-week residency at the EnclaveLab we inhabited Anne de Boer’s proxy www.ecksenis.net/something/, who curated uploaded content.
PANDO intends to explore various manifestations of artistic proxies. These manifestations focus on technological, economical and social conditions, the artists deal with by utilizing the proxy as a method of withdrawal from the art market, the institutions, from authorship or identity politics.
Pic: Screenshot from @Ecksenis
Biancǝ Stoppani 