Books
Monograph Karimah Ashadu: Tendered (co-editor, Mousse), exhibition catalogue for Nebula (co-editor, Marsilio), monograph Oscar Murillo: Frequencies (assistant editor, Hatje Cantz), essay collection VISIO – Moving Images in Europe Since the 2010s (associate editor and contributor, Lenz Press), exhibition catalogue for Ali Cherri: Dreamless Night (co-editor, Lenz Press), monograph Cleo Fariselli: Your Storm Our Dew (editor, Viaindustriae), interview collection Strata – Italian Art since 2000 (assistant editor and contributor, Lenz Press), exhibition catalogue for Afterimage (assistant editor and contributor, Mousse), exhibition catalogue for Penumbra (co-editor, Mousse), monograph Michael Anastassiades: Things that Go Together (assistant editor, Apartamento Books), monograph Gianfranco Baruchello: Archive of Moving Images 1960-2016 (assistant editor, Mousse), among others.
Criticism
Yuri Ancarani for Flash Art; Gianfranco Baruchello for Flash Art; Dara Birnbaum for Il Foglio; Kerstin Brätsch / KAYA for Mousse; Chiara Camoni and Atelier dell’Errore for Il Foglio; Justin Fitzpatrick for Mousse; Charlie Fox for Mousse; Lewis Hammond for Flash Art; Marguerite Humeau for Mousse; Arthur Jafa for Flash Art; Derek Jarman for Mousse; Lito Kattou for Flash Art; Morag Keil for Mousse; Edward Krasiński for Mousse; Lee Lozano for Il Foglio; Andrea Magnani for Flash Art; Timothy Morton for Flash Art; Shahryar Nashat for Il Foglio; Peng Zuqiang for Flash Art; Imran Perretta for Mousse; Yvonne Rainer for Il Foglio.
Essays and Conversations
“Ordinary Miracles,” conversation with Rene Matić (Flash Art); “Lily,” exhibition text for Sidsel Meineche Hansen; “Never Let Go,” essay around the work of Sidsel Meineche Hansen (Flash Art); catalogue essay around the filmic practice of Nari Ward (Marsilio); profile on Margherita Raso (Flash Art); “Baby, it’s cold outside inside,” exhibition text for Anna Mikkola; “Walking out, Walking into,” exhibition text for Gaia Fugazza; ““Migrating Between Surfaces, an Avalanche!,” exhibition text for Beatriz Olabarrieta; catalogue essay for Ilaria Vinci; profile on Holly Herndon (Kaleidoscope).
Discoursive
“We Are All One Another’s Monsters,” seminars at the Free University of Bozen-Bolzano; “Thick Atmospheres,” public programme for the exhibition Nebula at Teatrino di Palazzo Grassi, Venice; “Moving the Image,” round table with Lucia Aspesi, Erika Balsom, Enrico Camporesi, and Carolina Ciuti at Care Of, Milan; “Vanishing Points,” public programme for the exhibition Penumbra at Complesso dell’Ospedaletto, Venice; “On Anna Tsing and the Almanaccare Project,” with Jo Harrison, seminar at The Slade School of Fine Art, London; “On Karen Barad and the Almanaccare Project,” with Guido Santandrea, seminar at the Brera Academy, Milan; “On Art Writing,” seminar at the Cornell University, Rome; “Mythopoesis as Resistance,” in-conversation with Lito Kattou, CASTRO, Rome; “Deeper in the Pyramid,” in-conversation with Melanie Jackson, Primary, Nottingham; “Demonstration #3,” round table with SAGG Napoli, Carolina Ongaro, and Rosanna Puyol at Jupiter Woods, London.
Curatorial-collaborative
“The Invisible Hand” at Gianni Manhattan, Vienna, with works by Bianca Hlywa, Morag Keil and Margherita Raso on the occasion of curated by_ 2025 (group show; reviewed by Sonja Teszler in Frieze, and Theo Belci in Artforum); Riccardo Sala’s “Heiligenschein” at Almanac Inn, Turin (solo show); #ALMANACCARE, with contributions by Ella Finer, Acoustic Commons Study Group, Open-weather, Damni Kain with Meenakshi Thirukode for Almanac Projects, London (online curatorial platform); Housewarming at 3236RLS/Le Bourgeois, London (reading); Stereotyper (reading group); NOTHINGS INTO SOMETHINGS (reading group); St. James (group show).
Bianca Stoppani 